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Hôtel Casino Barrière de Lille Privatparkplätze sind gegen Aufpreis verfügbar und das Hotel bietet zudem einen Parkservice. Der Kundenservice für diese Leute, die zum ersten Mal nach Lille war einfach hervorragend. Code, für Kunden von, vereinigte Staaten beliebig kanada beliebig vereinigtes Königreich Wir warteten 15 Minuten auf eine Kellnerin, um Nachtisch zu bestellen und als wir endlich etwas Aufmerksamkeit bekamen, wurde gesagt, dass Egal ob negativ oder positiv — wir veröffentlichen jede Bewertung in voller Länge und so schnell wie möglich, nach einer Prüfung, ob sie den Richtlinien von Booking. Jegliche Versuche, das Ranking eines Mitbewerbers durch eine negative Bewertung zu verschlechtern werden nicht toleriert. Was würden Sie gerne über die ausgewählten Punkte wissen? La Terrasse du Parc Küche: Wir kamen dort an einem warmen Abend zu finden und waren enttäuscht, dass es ein kaputter Klimaanlage. Wählen Sie eine internationale Website Zoover. Die hilfreichsten Beiträge sind detailliert und helfen anderen Reisenden dabei, eine gute Entscheidung zu treffen. Die Stornierungs- und Vorauszahlungsbedingungen ändern sich je nach Zimmerkategorie.

It therefore has the potential to become the first hot spot and link between the city and the campus. The building functions as an open public platform inserted in the sloping ground, connecting the level of the Boulevard Reyers to the media campus on the other side, 2,50 meters below.

The main entrance, the restaurant and the auditorium help animating the public space of the immediate surroundings and on the covered plaza, where several activities can take place during day and night.

The different programs are stacked horizontally, allowing great flexibility; they meet through different types of connecting spaces, encouraging informal interaction between the different users.

The building is fully glazed, showing the animation happening on the inside. This part of the program is positioned in a black box on the top floors, creating a strong identity for the building.

Nowadays this site is somehow isolated from the rest of the neighbourhood, mainly because …. In order to answer an updated brief, with more structural constraints and a lower budget, the new project follows the main lines of the previous winning proposal of The unexpected topography gradually unveils itself from the adjacent streets, the green sculpture being cut out to allow views from the axes.

To achieve the lightest structure possible and because of the difficulty of finding punctual structural support in the tunnel below, the sculpture is made of blocks of GeoFoam covered with a layer of soil which allows the grass to grow.

The aim of the brief is …. This international design competition addressed the conversion of the former Sani Barracks site in Bologna into a mix of public and private open spaces and primarily residential buildings.

The former Sani Barracks is a decommissioned military complex situated in the Navile neighbourhood, north of the historic center of Bologna.

The barracks once produced foodstuffs for the army and after the Second World War served principally as a storage depot.

The object of the competition is a comprehensive Masterplan providing proposals for the successive phase of operational planning.

This simple gesture brings a new order to the buildings configuration and allows for an intense coexistence between the old and the new.

The square marks a clear separation between the central public space that it surrounds and a series of collective and private spaces situated towards the outskirts of the site.

The square becomes a center for a larger public area, contains all commercial and public functions and is connected with the surroundings through a set of spatial links.

The new buildings have three different heights; ranging from two storey high buildings, buildings that have the same height as the existing buildings and one tower that function as a landmark to the surrounding environment.

The former Sani Barracks is a decommissioned …. The project consists of three towers on a plinth. The shape of each tower is conceived in order to allow maximum privacy and views on the surroundings.

The lowest volume contains the offices; the two higher towers contain the housing program. Special attention is given to the ground floors in order to ensure the best integration possible into the context.

On the west side, the dwellings on the ground floor are organised as duplex apartments and a set-back of the volume allows a green canopy to give them sufficient privacy.

The minimum built footprint of the operation allows the preservation and planting of an important volume of high trees that integrates the site in the landscape structure of the island while the tower volumes themselves become part of the set of higher buildings along the riverside of Nantes.

The conversion of offices into housing is therefore possible. The project also allows for flexibility between dwelling types. The structural principles and, once again, the rationality of the plan facilitate and guarantee the feasibility of these conversions.

The lowest volume contains the offices; the two …. The ambition of the project is no less than to establish a central pivot, a public hotspot for both university campuses, providing space for informal meetings as well as for studious concentration.

LEVELS The campus street, the university esplanade and the landscaped hill are the three primary existing levels that collectively form the public space of the campus.

A new building that makes the connection between the two institutions should also bring these three levels together into a consolidated yet open solution.

CUBE Within this complex context, we propose a simple yet perfect cube 39m x 39m x 39m which cuts into the hillside, with one side parallel to the street and the existing faculty building.

The building is emphatically not only focused on the two campuses, but to each of its sides and at every level; it has four similar facades and entrances on three sides.

The compact volume has a minimum footprint and permits the maximum preservation of the existing topography and landscape. A monumental stairway connects the three existing levels of the campus and leads further up to the terrace of the cafeteria.

The staircase then climbs up through the exhibition and leads to the main entrance lobby. The outdoor space continues in the form of a tiered patio and terraces with daylight openings on the south, west facade and the roof.

All functions of the learning center and public spaces are visually connected. They make the public space and the functions of the learning center into one whole.

Interruptions of the strips mark all entrances, terraces and special features inside. VOIDS The structural and environmental strategies for the building are intrinsically built into the architectural form and expression of the architecture.

The patio is both a key environmental device natural ventilation and daylight and organizes all internal circulation. Connecting floorplates are afforded views through the entire building with generous communal spaces for interaction and informal meetings.

After decades of …. Program Learning Center, library, classrooms, workshops, archive, cafe, exhibition and auditoria. The competition was organized in order to extend and renovate the existing Museum of Fine Arts in Tournai and to propose a masterplan how to integrate the museum more in its surroundings.

The existing monumental building, built by the famous Belgian Art Nouveau Architect Victor Horta in , is no longer suited to the onerous contemporary demands for the conservation and display of art.

In order to meet these environmental standards much of the architectural quality of the building would be lost for example; covering the glass roof, insulation of the facades and the introduction of compartments in the plan; ruining the panoptic idea of the museum.

XDGA decided instead to integrate the existing building into the public space of the city, as a covered space where different activities of the city and the museum can interact.

The new extension inhabits the free spaces around the existing building and integrates parts of it into the exhibition parcours.

These new spaces meet the exacting environmental and performance standards required and establish a new dialogue with the character of the Horta building.

A higher point in the new extension creates a new definition of the museum in its context. The existing monumental ….

Rather it bases its consistency on new relationships between what exists — the area, its features and constraints — and a specific urban strategy with respect to responding to economic, social and environmental concerns.

The project introduces a dynamic coexistence or relationship between the site and the features of the urban area, between the components of the area and the elements of the plan.

We keep in mind the air and noise pollution which will strain the site and against which the plan must include protection. The project will not impose a fixed form, but we propose rather a flexible urban plan: The campus will be characterized by the autonomy of each component rather than dispersion even modern university campuses are becoming denser, approaching the density of an urban area.

The campus is the juxtaposition of constructed elements, the form and dimensions of which are not specified in the overall urban plan, but rather defined by their own unique purpose and situation.

This autonomy of each component, the very essence of a campus, is the condition that allows the district to adapt to changes in the future and to integrate new amenities and to respond to new purposes.

The density and its corollary, proximity, are the necessary conditions for developing new contacts and fostering exchange; in short, for an unfolding of an urban dynamic.

The open form of a dense campus does not interfere with the grid and layout of the site. Rather it bases its consistency on new relationships between what exists — the area, its features and constraints — and a specific urban strategy with ….

The presence of the built volume in the surroundings will change from a completely introverted and closed block towards an open structure containing different programs.

By removing the closed brick facade and inserting a public accessible balcony the building will establish a new relationship with the center of Merchtem.

This competition is a real challenge on how to combine the two programs — the Basel City Archive and the Museum for Natural History — in such a way that they interact maximally with the public realm of the surrounding city.

The two main restrictions in order to do so are the long, small and irregular shaped building site along a railroad track and the majority of the program that does not allow direct daylight to enter the building.

We propose one building volume containing both programs. The building is designed as a horizontal skyscraper perfectly adapting to the restrictions of the site.

The delivery zone is situated underground, the tower volume works as a plinth along the street that becomes a gradually stepped tower at the south side.

This composition combines a strong identity with a volumetric articulation towards the Entenwidstrasse. The building is mainly a closed volume.

On the street side however, a long volume is cut out. This cut-out continues through the building, rises on one side to the level of the adjacent bridge, while on the opposite side descending towards the lowest level.

This canyon through the building provides physical access to the museum and the archives and creates a visual interaction with the string of public parts of the museum and the archives.

Many visual links are created showing the internal activities of the two programs both from the inside as well as towards the street.

The largest part of the building is covered with rolled steel , protected from corrosion with a matt, transparent PUR paint. Only the cut-out at the street side is as transparent and light as possible.

The offices are in dark limousine glass. This competition is a real challenge on how to combine the two programs — the Basel City Archive and the Museum for Natural History — in such a way that they interact maximally with the ….

The streets and public squares of the centre of Bruges retain a remarkable harmony with their buildings. Only the concert hall at the southern edge of the space is somewhat related to the scale of the square.

The square is intensely used by a variety of large scale activities that creates a lively, functional and essential part of the city.

This place-mark creates a counter point to the spatial emptiness of the square and locates a meeting point for when the square is used.

At the north side of the square we propose a circular, translucent canopy, the same width as the square. This object; a round bowl with a circular oculus in the middle, functions as both a sheltering roof and as a waterfall.

The reflection of the water, the play of light and shadow, defines an ever changing atmosphere and experience. The object itself is as immaterial as possible; a translucent fabric suspended below a series of concentric rings which catch the rainwater into a cascade that flows softly towards the central waterfall opening.

At the level of the square further fountains are foreseen, their change in flow and ebb providing a constant varying play of water.

The new fountain canopy becomes a point of attraction which allows the inhabitation of the empty vastness of the square and creates opportunities for different activities and appropriations.

The requested program for the building, being a combination of a primary school, an after school care centre, a nursery and sports facilities for the school and its neighbourhood is diverse, extensive, demands a great deal of outside space and is rather big for the rather small site.

In order to realise the complexity of programs on the site, XDGA assembles the entire built program into one compact volume of 40 by 31 m and stacks all the various outdoor areas in one open room.

The two volumes together cover the maximum envelope possible on the site; one half indoors, one half outdoors. On the side of the exterior room, the supporting frame is covered with a metal mesh with some cut outs, and will be overgrown with vegetation.

The requested program for the building, being a combination of a primary school, an after school care centre, a nursery and sports facilities for the school and its neighbourhood is diverse, extensive, demands a great ….

The exhibition displays and documents built projects, urban studies and competition entries. In the exhibition, not the text nor the concept is preeminent — but the plan, the image and the model.

The material in the expo is as such reduced towards 21 architectural models covered by plexiglass boxes containing a specific explanation about the project, some tables with 48 projects books and 5 videos where outsiders give comment on the architectural practice of XDGA.

For the Rome edition, some recent projects have been added to the exhibition. This care campus for the elderly is situated within the ancient walls of a former convent.

The site is a unique green peaceful place in a dense urban fabric of mainly housing. The project consists of two independent buildings, one a residential care centre for residents with a day centre for 15 people and the other contains 45 service flats.

The two buildings stand on top of a common underground parking. The care centre is a freestanding building in the park, becoming part of the group of independent buildings inside the ancient walls of the monastery; the boomerang-shaped plan of the building allows the landscape to run continuously around the building.

The ground floor houses the day care centre and the general functions of the nursing home: The four floors on top host each 30 rooms, forming two residential groups.

The rooms open directly onto the living room, eliminating long corridors. The atmosphere is homely and the residents can enjoy a panoramic view towards the park.

Outside, the mirrored facade reflects the green of the old monastery garden. The service flats complex both completes the existing city block and inscribes itself into the logic of the freestanding buildings in the convent garden.

It has four floors of flats that are optimally oriented. Open galleries organise the horizontal circulation of the complex. The apartments have an open plan around a central core containing the bathroom, a kitchen, and storage and can be flexibly divided with semi-transparent sliding walls.

They have an indoor terrace that can be closed in winter and can be used as extra interior space.

The project consists …. To rethink the traditional tools of urban representation: It is about a coherent city planning which does not dissociate urbanism, landscape and engineering but is simultaneously thought of on several retroactive scales, by a multitude of designers with mutually reliant production.

Such representation is inevitably based on tools used by landscape designers, architects and urban planners.

The range is wide: Such a vast territory needs an overall mapping; therefore the visitor should not have the impression to be looking at the project from a fixed angle, but to be introduced to the full range of situations, actors, timing and scales of interventions.

The main goal is to represent the ongoing changing process. The exhibition shows both the qualities of the existing and the ambitious future projected onto Paris-Saclay.

Each fragment combines these two narratives; the fresco, the timeline, the model and the projections all relate to history and what is expected to be possible.

All projects are shown simultaneously from multiple points of view: Large scale and autonomous arrangement of the separate elements is a result of the site.

The complexity of the space, together with the simple, contemporary exhibition is striking. We always kept this tension in mind, which represents to us the relationship between the city of Paris and Saclay.

It is about a coherent city planning which does not dissociate urbanism, landscape and engineering …. An essential aspect of the project is to improve the link between the city and the sea.

It will not be able to cope with a premise of Nor does it allow the configuration of a fully interactive work environment.

In order not to compete against the castle, XDGA proposes to literally provide a large work-field on ground level, situated at the central part of the site, with the castle positioned inside.

All activities are gathered in a large open space, all the supporting facilities are organized under this surface.

The building that contains this surface, is conceived as a transparent, prismatic volume, an intermediate structure in between the castle and the surrounding nature.

It has a constant perimeter height of 13 meters, allowing a free view from the castle towards the park and vice versa.

The castle, in its glorious new role, defines the inside space together with a patio, similar in size. As immaterial as the outside skin is intended to be, as tectonic is the roof that slopes down from this horizontal perimeter to the patio and upwards to the castle.

The sloping planes along the facades reflect the park or the work spaces inside, thus blurring the boundary between inside and outside. The planes in the middle bring in filtered daylight, the one on top of the castle is fully transparent.

The roof symbolizes and visualizes such values as unity and collaboration. Structural engineer Werner Sobek Engineering. Mechanical engineer Werner Sobek Engineering.

There appears to be one constant about academic buildings; they require extensions, often at the cost of their own initial qualities.

The existing Management School building in Strasbourg, France, is no exception. The competition asked for a freestanding volume on top of the existing parking, filling completely the only outdoor space of the plot.

Two new buildings are built within the existing one; a new library replaces an underused parking level and the demolition of existing floor slabs creates a triple high entrance lobby.

The new library is a continuous horizontal space. Its uniform structure allows flexibility of use over time. The competition asked ….

Total floor area 3. The museum uniquely inhabits a picturesque collection of buildings from different periods in the setting of a former convent.

Basing its height on that of the ruined chapel whose carcass still inhabits the central garden space, the new building delicately delivers both an identifiable center point for the museumsite and unprecedented verticality for installation.

In , a competition was organized for the expansion of the Z33 museum in Hasselt. A cluster of 56 enormous concrete cylinders more than 70m high are to be redeveloped as residential units and a hotel with cultural and public facilities at ground level.

Above the silos and cantilevering over a new public square addressing the basin, a horizontal volume hovers providing further space for residences and offices.

Occupying the space between the two, a publicly accessible terrace with restaurants offers a truly unique urban balcony with panoramic city views.

A cluster of 56 enormous concrete cylinders more than 70m high are to be redeveloped …. The two buildings are realised as a unified volume, split on the corner by a single huge incision.

The two buildings …. Pour les articles homonymes, voir Lille homonymie. Liste des maires de Lille. Liste des lieux de culte de Lille. Vie militaire de Lille.

Sur les autres projets Wikimedia: Pourquoi y a-t-il des boulets de canon sur le rang de Beauregard? Espaces de noms Article Discussion. Arrondissement de Lille chef-lieu.

Bureau centralisateur des cantons de: Martine Aubry PS Taxes en pourcentage de la valeur locative cadastrale. INSEE [ ]. Championnat de France de football.

Our daughter has been no stranger to discussions about social justice, war and peace, union advocacy, and more. When she takes an interest, we try to answer her questions as directly and honestly as we can.

Oddly, this simple question had never come up. Even more oddly, I found myself at something of a loss for a simple answer. Being in a hotel filled with Socialists along with no small number of Deadheads, in town for the last concerts at Soldier Field , we went looking for resources.

We visited the Haymarket Books room, a decent sized hall that had been set up as a temporary radical book store for the weekend.

I hope that it will spark some discussion, and perhaps lead us, and other parents, to additional resources that we may have overlooked.

Socialism means that we all work together to take care of each other, so that everyone has what they need. In a Socialist world, everyone would have a decent place to live, enough food to eat, clean water to drink, clean air to breathe, medical attention when they need it, warm clothes for the cold weather, a good education, and the ability to develop to their fullest potential.

Under Socialism, everyone would be free and equal regardless of gender, race, nationality or religion. Everyone would be safe from oppression being kept down or treated unfairly , exploitation being taken advantage of and war.

This is the Socialist ideal. Socialism is different from our current society mainly because of two basic ideas. First, Socialism is about cooperation instead of competition.

We call our current economic system Capitalism. Under Capitalism, people compete for almost everything. Individuals compete for jobs, for the best education, for housing, even for the basic necessities of life.

Companies compete for funding and material resources, for customers, for new ideas and products. Under Socialism, instead of everyone fighting for a bigger and bigger share all the time, we would all be working together to see that everyone has at least enough.

Under Socialism, the basic human needs of all people would come first. Right now, the richest eighty people in the world own as much as the poorest 3.

Our current economic and political system puts the property of the wealthy few, and the profits of their corporations, first.

So some people have everything that money can buy, and so much money left over that they could never spend it all in an entire lifetime.

Yet they are encouraged to accumulate even more wealth, while million children in the world go to bed hungry every night. Under Socialism, the needs of the hungry children for food would be more important than the profits and bank accounts of the wealthy.

They enjoy their lives just the way things are, and our governments and laws have been set up to protect their wealth and power.

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